After the slightly iffy Intertwining Line at the Cornerhouse, it was nice to go and see something I unreservedly liked.
The Richard Goodall Gallery knows how to please a crowd, which I guess it pretty important if you're going to be a commercial gallery in these financially disastrous times. I might have disliked some of the Niagara and Yumiko exhibition, but if I had that fabled fist full of fifties I would have thrown it at one of Niagara Opium series.
Millionaire admirers take note.
A nicer version of these thoughts should go up on Citylife soon, but I thought I'd mention how much I enjoyed Pilgrims & Peregrines at the Richard Goodall Gallery today.
Jamie Baldridge's photographic prints are on many levels a little dodgy and rather tacky, but they are also entrancing and beautiful. They remind me of those Tool videos, and of the more phantasmagorical of Jean-Pierre Jeunet's films.
A Dainty Phylectic
One major problem is that online images do absolutely no justice to what the original, full sized prints look like! When I saw the preview images I thought it looked rather twee, faux-surreal and generally derivative nonsense. But in real life, with the beautiful lustre and textures which the prints contain it is a completely different story.
The exhibition continues until the 6th of December. They are then followed by an exhibition of the wildly popular Nicoletta Ceccoli. You'll know exactly who I mean when you see the images.
Anyway, I'm tired and need to prepare for a day of helping out at the NOISE festival tomorrow, and Thought Bubble this weekend.